Wednesday, January 30, 2008

关于Cosplay

COSPLAY
  顾名思义,COSPLAY是英文CostumePlay的简略写法,其动词为COS,而玩COSPLAY的人则一般被称为COSPLAYER。从一般意义上来说的COSPLAY最早的中文译名是出自台湾,意思是指“角色扮演”。但因为这种译法与游戏中的RolePlayGame(RPG)同为角色扮演之意,所以为免雷同,笔者更倾向于另一种译法--服饰装扮。以现今的COSPLAY而言,其形式及内容一般是指利用服装、小饰品、道具以及化装来扮演ACG(anime、comic、game)中的角色或是一些日本视觉系乐队以及电影中的某些人物,从这里可以看出在定位上COSPLAY包含了相当广阔的发挥空间,甚至可以说只要是有COSPLAYER在的地方,这一领域便绝对就是当今青少年流行文化的主流。

COSPLAY起源 
 谈到COSPLAY最初的起源,现在大家一般比较认同的是将COSPLAY的发源地定位于日本,当然如果这是以现时代COSPLAY理念为基准的话确是可以如此而言。但是如果从广义上来说,动画COSPLAY的真正发源地绝对是位于西半球的美国,甚至说如果真要探讨起COSPLAY原始形态的话,笔者可以毫不迟疑的告诉你COSPLAY最早的出现是在公元元年之前的数个世纪之中!因为不论是公元前1000年左右就已存在的希腊祭祀们的装扮,或是其后共同创作了两部伟大希腊史诗《伊利亚特》《奥德赛》的那群活跃于公元前8世纪的伟大游吟诗人们,他(她)们实际上都是在扮演着别人的角色。前者引变为后世的先知、先见,成功的COSPLAY了神之使徒的存在,而后者则如同是现今舞台话剧的鼻祖,出神入化的COSPLAY了那些可歌可泣英雄们的事迹。事实上,COSPLAY所要包括和装扮的涵义不仅仅只是指一种外表上的形象化,更重要的是去COSPLAY人的内心。

Saturday, January 26, 2008

The MAGe Festa

The MAGe Festa 2008

Date : 26th January 2008
Time : 10a.m. to 7p.m.
Venue : President Hall,Nilai International University College
Entrance fee : RM 5

List of activities/competitions:
-Cosplay solo & group competition
-Play Station 2 competition
-Wii competition
-Art drawing competition
-Artist / Doujin booth
-Karaoke competition
-Dance Party
The MAGe Festa. the word MAGe is a short form and combination from Manga, Anime and Game Enthusiast.Some of you think why we dont use Fiesta, Fest, or Festival. Well, Fiesta is used by Comic Fiesta, Fest if used by Taylor Anime Fest, and Festival sounds serious and not so lively. So we use Festa.Btw, some of you might think that the name got spelling error, well, it is not! we have the idea from Japan's Jump Festa, which held annually since 2001. check up the link! ^^http://en.wikipedia.org/wiki/Jump_Festa

Monday, January 21, 2008

Shugo Chara----[Anime Series]


Shugo Chara! (しゅごキャラ!, Shugo Kyara!?) is a Japanese shōjo manga created by the manga author duo Peach-Pit. The story is about an elementary school girl named Amu Hinamori whose "cool and spicy" exterior belies her introverted personality. But when Amu wishes for the courage to be reborn as her "would-be self", she is surprised to find three colorful eggs the next morning, which give birth to three Guardian Characters: Ran, Miki, and Suu. It is serialized in the magazine Nakayoshi and published by Kodansha in Japan. Del Rey has licensed the English language rights and has released the first volume on March 27, 2007.
In addition to the regular volumes, the series is being released in limited editions in Japan, each of which include different cover art from the regular editions, metallic foil sleeves, and a set of postcards featuring Amu in various outfits and poses following the color theme of the dust jackets. Shugo Chara! has also been adapted into a 51 episode anime television series of the same title produced by Satelight under the direction of Kenji Yasuda and debuted on October 6, 2007 on TV Tokyo.
Plot
Amu Hinamori is a student at Seiyo Elementary, where she has a reputation for being "cool and spicy"; however, her real personality in that of an extremely shy and easily intimidated girl. One night Amu makes a wish that she would have the courage to be reborn as her "would-be" self. The next morning Amu finds three brightly colored eggs—red, blue, and green—in her bed. Each egg eventually hatches into a Guardian Character: Ran, Miki, and Suu. Guardian Characters are angel-like beings that aid a person into becoming their "would-be" selves and fulfill the person's dreams. The Guardian Characters accomplish this by giving encouragement and advice, but they can also temporary changing a person's personality and abilities. With the Guardian Characters, Amu's life becomes much more complex as she now struggles to deal with her new personalities and the Seiyo Elementary Guardians—a student council group where each member has their own Guardian Character—who recruits Amu to search for and seal the X eggs and X Characters, which are the corrupted forms of people's dreams.

【内容介绍】

圣夜学园的亚梦被谣传为很棘手的小学生,外表酷酷的她实际上是个不善言辞的女孩,为了掩饰自己还经常以毒蛇来掩盖自己的怯弱。终于亚梦决定正视自己并祈求守护灵能赐给她改变自己的勇气。令她感到惊讶的是第二天床上出现了三只彩蛋,而这三只彩蛋到底能不能帮上亚梦呢?另一方面,学校里有一支被称作“守护者”的队伍。他们有着处理学校各种各样事务的能力,许多人把他们当作偶像。虽然他们表面上非常风光,可是实际上他们也有着无法推卸的责任…和必须进行斗争的敌人…原作PEACH-PIT改编的漫画守护甜心即将动画化!敬请期待!
Anime Official Website>>>http://shugo-chara.com/

Friday, January 18, 2008

Seto No Hanayome濑户之花嫁----[Anime Series]


濑户之花嫁(Seto no Hanayome) 
Seto no Hanayome's story revolves around a young teenage boy named Nagasumi Michishio. One day during his summer vacation, Nagasumi was saved from drowning by a mermaid, San Setouichi, in the Seto Inland Sea. However, under mermaid law, if a mermaid's identity as a mermaid has been revealed, both the mermaid who was involved and the human who saw the mermaid are to be executed. In an attempt to save both Nagasumi and San's lives, San's family, which is apparently the head of its own mob, reluctantly decides that the two are to be married.
Gōzaburō, San's father, however, is enraged about his daughter running off and getting married, especially to a human whom he deems inferior. Between Gōzaburō's attempts on his life and the madcap antics of a whole slew of antagonists — including the daughter of a rival mobster and a rich male transfer student with an attraction for SanNagasumi is not enjoying a very smooth transition into his new lifestyle.

作为GONZO在06年起为荷包而暴走制作的多部作品之一,由木村太彦执笔,连载于Square-Enix旗下漫画月刊《GANGAN WING》人气漫画《濑户之花嫁》的TV动画将于2007年4月1日起开始放送。早在2004年就曾推出过2部广播剧的《濑户之花嫁》是继《Heartful days(心动的日子)》动画化之后《GANGAN WING》的又一部被动画化作品。担任《濑户之花嫁》TV动画的监督是岸诚二,人物设定则是森田和明;而两位主角濑户灿和满潮永澄的声优将由桃井はるこ和水岛大宙来担当。
故事大纲

主角满潮永澄是个就读于埼玉县某中学的平凡中学生。某个暑假他在海边度假时突然溺水,意识模糊之际为美丽的人鱼濑户灿小姐所救。但是,人鱼世界中有一条规矩就是被人类得见人鱼真身的话,那双方的中必须有一方得选择死亡。而能回避这条铁律的最后手段就是也变成人鱼家族的一员。在死亡和逼婚两者之间,永澄被迫做出了与灿结婚的决定。于是,围绕着永澄和灿两人以及各种各样的人鱼族人的恋爱搞笑剧登场了……目前,《濑户之花嫁》的漫画单行本已经发行至第13卷。
Official Anime Website>>>>http://www.setonohanayome.com/

Saturday, January 12, 2008

Nightmare---[Japan Visual-kei Band]


Nightmare or Naitomea (ナイトメア) is a Visual Rock band that was formed in 2000. The original members were Sakito and Hitsugi on guitar, YOMI on vocals, Ni~ya on bass and Zannin on drums, who was the last to join. In the same year, Zannin decided to leave the band, and RUKA from Luinspear replaced him as a temporary drummer. In November 2000 RUKA became an official member. In 2001 they formed their side project band Sendai Kamotsu, which is somewhat of an alter-ego.
In October 2006, they released a double a-side single, the World / Alumina which both are theme songs to the anime version of Death Note.
Following the string of successful singles released in 2007, Nightmare will be releasing a singles collection in January 2008.

Nightmare began in January 2000 by Sakito and Hitsugi while most of the members were still in high school. Soon, Yomi was invited by Sakito, Ni~ya by Hitsugi, and Zannin joined after they heard their classmates were forming a band. They were all influenced by either X/X Japan or LUNA SEA in some form.

Just as the band began getting much recognition at live houses and small concerts in the Sendai region, Zannin left the band for unknown reasons. Eventually, Ruka (formerly Luinspear) joined the band as a support member at first, but became the permanent drummer after a short time. Their line-up hasn't changed since.

Aside from appearing on TV shows, magazine covers, and concerts, they also have a radio program with NACK 5 called "Jack in the Box!". Yomi and Hitsugi usually host the show. However, Sakito, Ni~ya, and Ruka do pop in from time to time with the two.
Recently, RUKA has got his own radio show on TOKYO FM. The show is titled "MUSIC ARK." (Source: Arena 37C: January 2008.)
Along with that, all the members except for Yomi have a monthly column in different music magazines.

++Hitsugi has his in SHOXX magazine titled 猫ふんじゃった (A Cat's Minute). It used to be called "ZOZZY," an inside joke with the members when they were first interviewed in SHOXX back in 2004. Yomi had made a comment saying they should do a whole SHOXX magazine dedicated to Nightmare only. Hitsugi said if they were to do that, they should change the magazine name to "ZOZZY" instead and turn it into a comic magazine.
++Sakito's is in B-PASS magazine titled 鈍行いくの? ("Local train goes?") and has a free paper column called ディスクガレージ発行フリーペーパー「DI:GA」 ヴィジュアル系だって人間だもの (DISC GARAGE Issue Free Paper "DI:GA" Those Who Are Human in Visual Kei)
++Ni~ya's is in Zy magazine titled "JUST FREAK OUT LET IT GO"
++Ruka's is featured in duet magazine titled 出てる!出てる! (Coming out! Coming out!).

Members

YOMI-------Vocals
Hitsugi (柩)----- Guitar
Sakito (咲人)----- Guitar
Ni~ya -----Bass
RUKA ---Drums
ex-Members
Zannin -----Drums

Official Website>>>>http://www.nightmare-web.com/

Tuesday, January 8, 2008

Type of Punk--[Chinese Version]


朋克摇滚


朋克摇滚孕育了一场摇滚乐历史上的革命.这是一个漫长的从酝酿到爆发的过程,他实际上引出的是摇滚发展中的另一条线索,即所谓的"自己动手"和"独立"观念.这条线索尽管并没有对摇滚的生成产生多少影响,但对80,90年代甚至未来摇滚乐的走向具有巨大的引导作用.众所周知,摇滚乐是一种异常强调"个性"的音乐形式,但在朋克摇滚之前这种"个性"通常总是通过一种"代言人"——摇滚明星表达出来的(再次之前地下音乐的社会影响较之主流势力远为逊色),70年代的商业化浪潮更加强化了这一点.无论是Bob Dylan 也好,John Lennon也好,他们之所以能够使自己鲜明的个性影响青年一代或者表现了青年一代的个性,首先不是因为他们有"个性",而是因为他们的明星身份,其后他们才能够通过自己用聪明才智和努力赢得的这一份"话语权"来表达自己的这种"个性"(无论是音乐上的,还是人格魅力上的).因此,再朋克摇滚出现之前摇滚乐的个性实际上是一种"明星的个性",或者"精英的个性"对于普通的爱乐者来说,他们始终摆脱不了"听者"或"接受者"的被动地位.但是这已经是一种进步了,这种"代言人"的产生毕竟是青年一代"民选"产生的,而并非是主流社会或者其他什么政治势力强加给他们的.当然,这些代言人之所以能够成为代言人,毕竟还是因为他们代表了青年一代自己的声音.这也许就是摇滚的反叛精神为音乐带来的第一次"民主"吧.


但朋克摇滚却不满足于这些,不满足于这种"集中制的民主",他们要将"革命"进行到底.首先他们要做的就是废黜明星们话语权的垄断,让所有热爱音乐的人"自己动手"创造音乐,表达自己;要让所有人都真正"独立"地去搞音乐,而不使传统,权威或者大公司成为无论音乐还是个我本身发展的羁绊.如果这种观点付诸与政治领域那无疑会导致无政府的混乱,但幸好它的实际影响了仅仅限于音乐(个人化),尽管也的确为原先"集中"的"过活儿"的唱片市场带来了少许的"无政府状态"和迷惘.这恐怕不能理解为是一种音乐意义上的进一步"民主"吧.摇滚乐中的个人主义和个性创造从这里开始进入了一个新的高度,并且为日后非主流运动在90年代的成功——"非主流"音乐成为"主流",奠定了基础.


后来再早期朋克摇滚观念的激励下,出现了一大批的乐队和新风格,这便是新浪潮和后朋克运动.这些新形态的摇滚乐同朋克摇滚的联系更多的是在观念领域,其次才是音乐形式.他们大胆地展开了各种形式的艺术探索,附庸文雅也好,赶时髦也好,毕竟他们完成摇滚乐的"现代化".如果你会惊讶今天的摇滚同60,70年代或者50年代的摇滚有着如此不同的声音,那么一切故事从朋克开始.


原始朋克(Proto—Punk)


原始朋克是一群同60年代晚期和70年代初期的主流摇滚圈子格格不入的艺术家们组成的松散联盟.从地下丝绒(The Vel-vet Underground),的声音实验和假装文雅的民谣摇滚,到狂野,热衷于性内容的纽约妞(The New York Dolls),以及音乐诗人Patti smith,原始朋克涵盖了一大批不同的声音和风格,但他们都被一条共同的纽带联系到一起,那就是一种躁动,附庸文雅的力图颠覆,无视甚至改写摇滚乐现有规范的尝试.在这一过程中,这些艺术家的精神——有时候反倒不总是音乐——为日后70年代晚期的朋克革命拨下了种子.


现在有不少人总是将原始朋克和70年代中晚期出现的英美朋克混为一谈,认为他们是一种类型的音乐,都简单地一语蔽之曰"朋克",这种观点是有些欠妥的.尽管从音乐的表面看他们之间的确有不少相似之处,而且的确彼此之间也存在深厚的联系,再这种联系只能使他们可以归入同一系统,而并不意味着他们就成了一种风格.这两者之间联系是有的,可差别也不小.且如上问所言,原始朋克和朋克之间的这种联系首先是一种精神气质上的,其次才是音乐形式上的.从精神气质上讲,对比原始朋克和后来的朋克音乐作品我们会清楚地看到在前者的身上更多的倾向于一种带有玩世不恭色彩的技术家气质,甚至是诗人气质;而后者身上更多见出的则是一种充满撞性,破坏性,毁灭性和造反意识的反问化精神,有时甚至表现为嚣张的"流氓气焰"(尤其是The Sex Pistols).音乐上,前者带有更多实验性,先锋色彩,即兴的成分非常多;而后者则是回归早期摇滚乐本源的同时又毁灭它,音乐结构上也显得简单和直接得多.当然,朋克的重要性也正在于音乐从来没有这么简单和直接过,这也是它对传统摇滚观念带来的巨大冲击与震撼.因此这两者之间的文化价值取向和音乐审美取向是存在不小差异的.


朋克(Punk)


朋克摇滚把摇滚乐带回了它的出发点——"三个和弦"与简单的旋律.它只是将这一切演奏得比以往所有摇滚风格更加喧闹,快速和粗糙.尽管很早就已经有几只乐队展开了对那种后来被称为"朋克摇滚"的风格的探索——包括60年代的车库摇滚乐手们和The Velvet Underground,The Stooger,The New York Dolls(他们被称为原始朋克),但直到70年代中期真正风格意义上的"朋克摇滚"才告形成.几乎同时在大西洋的两岸,年轻的乐队们开始放弃对主流硬摇滚的追求,剥去繁复的音响把它带回到最本质的层面.在纽约,第一支朋克乐队是The Ramones;而伦敦第一个朋克团队则当属于The Sex Pistols.尽管这些乐队有不同的发展历程和音乐风格:The Rmones更加快速,并且受到泡泡糖摇滚的影响;而The Sex Pistols则把The Faces乐队的叠句演奏得比"原版"更加草率和吵闹,但他们那种简单直接的方式再英国和美国却同时引发了音乐上的革命.


在美国,朋克保持着一种地下音乐的感觉,并最终导致了80年代核心朋克和独立摇滚的一幕;而在英国则是一种公开的现象,The Sex Pistols被认为是对康乐的英国政府忽然君主政体的一种"严肃的"恐吓",但更加重要的是,他们导致了无数新乐队的建立.这群乐队中的一些紧紧地围绕着The Sex Pistols绘下的蓝图,但更多的则找到了自己的声音,不论是The Buzzcocks尖锐的流行歌曲,还是The Clash赞美诗般,雷鬼乐(Reggae)影响的摇滚乐,抑或是Wire和Joy Division附庸风雅的艺术实验.很快,朋克分裂成后朋克(它比朋克乐更加实验化和附庸风雅)新浪潮(它更加流行音乐导向)和核心朋克(它仅仅是将朋克变的更加强硬,快速和粗糙).整个80年代,在英国和美国朋克都被看成同核心朋克是一回事儿.90年代初期,一个由Green Day和Rancid领导的朋克复兴主义浪潮出现在美国地下音乐中.这些朋克新浪潮乐手们因循着同早期朋克乐手相同的模式,不过他们趋向于将重金属的影响融合到音乐当中.


核心朋克


(Hardcore Punk,又译作硬核)核心朋克是朋克摇滚中最强硬个极端的一个变种.它出现于80年代早期,将朋克摇滚乐的观念发展到了极致.这种音乐极其之快速,歌手简直就是早叫喊,叠句很简单,作品看起来(或者听起来)就像是在和什么人家的地下室里录制的.大多数这类乐队相互之间听起来都相似得另人难以置信,但也多少有一些带有与众不同的声音抛在身后,而仅仅保留其观念.核心朋克主要是一种美国的现象,并且主要集中在洛杉矶和纽约地区,但在美国的全境内还有一些小规模的零星分布.核心朋克继续出现在90年代,而且继续没有汇入主流圈子,可是一些受到"核心朋克美学"影响的乐队包括Nirvana和Green Day成为90年代主要的摇滚明星,而原先的那些核心朋克乐手如Bob Mould,Henry Rollins,Mike Watt,Ian McKaye和Dinosaur Jr.乐队的J Mascis却转变成了非主流音乐的偶像,核心朋克的不少观念和特点也被其他不少同时代的风格吸收和转化(如重金属和电子乐领域).另外,核心朋克还有一个更加快速,吵闹,非旋律性,有暴力倾向和白人至上主义倾向的分支——"Oi".


后朋克


(Post-Punk)1977年的朋克革命之后,有一大批的新乐队组建.他们都从朋克摇滚独立自主的精神和朴实的声音中的到了灵感.为了避免复制The Sex Pistols的声音,不少这样的乐队进入了更加实验化的音乐领域,将朋克摇滚以外如Roxy Music,David Bowie和T.Rex的影响吸收了进来.结果导致了一由反主流文化精神和挑战公认摇滚传统的旗帜联系在一起的乐队群体的出现.很多像Joy Division 或The Cure这类乐队创造出了一种黑暗,阴冷的音乐氛围,他们同时使用了电子合成器和吉他两件主要乐器;另一些乐队则再音乐上选取了更加轻快一些的路线,尽管他们的歌词和声音之间显得有些脱节,但颠覆了传统流行摇滚的歌曲结构.后朋克最终发展成了80年代的非主流音乐.


斯卡朋克


(Ska-Punk)这是同第三次斯卡复兴浪潮紧密相关的一个概念,因为大多数后一类型的乐队都是建立在斯卡朋克基础之上的.顾名思义,他是源自牙买加的斯卡音乐同朋克摇滚的一个混种.


斯卡


(Ska)牙买加的一种本土流行音乐形式(属于雷鬼乐族群),50年代产生,60年代早期非常流行,是后来风行一时的雷鬼乐(Reggae)的直接祖先.它受到新奥尔良节奏布鲁斯,爵士乐,非洲古巴黑人音乐,早期摇滚乐以及其他多种音乐形式的影响.这是一种轻快的音乐,蜻蜓点水般的吉他演奏和切分节奏是它的鲜明特色.从某种程度上讲,我们可以认为它是牙买加人用自己的方式演绎出的节奏布鲁斯.


流行朋克


(Punk-Pop)90年代朋克摇滚依然是一个热门主题,尽管这种宿求有时候是以其他方式表现出来的,流行朋克便是这种性质上的一种"朋克复兴",期间Green Day乐队商业上的成功是一个很大的推动力.但这一"复兴"已经失去了很多朋克的本色,因为它有大公司操纵的商业运作背景,朋克"愤世嫉俗"也正在被"健康向上"的商业流行因素索取代.

Monday, January 7, 2008

Type of Punk

Standard punk

In general, modern punks wear leather, denim, spikes, chains, and combat boots. They often wear elements of early punk fashion, such as kutten vests, bondage pants (often plaid)and torn clothing. There is a large influence by DIY-created and modified clothing, such as ripped or stitched-together pants or shirts. Hair is typically dyed in bright colors such as red, blue, green, pink or orange and arranged into a mohawk or liberty spikes. Hair could also be cut very short or shaved. Belts with metal studs, and bullet belts, are popular. Leather or denim jackets and vests often have patches or are painted with logos that express musical tastes or political views. Pants are usually tapered tightly. Metal spikes or studs are often added to jackets and vests.

Hardcore

There are several styles of dress within the hardcore scene, and styles have changed since the genre started as hardcore punk in the late 1970s. What is fashionable in one branch of the hardcore scene may be frowned upon in another. Clothing styles are often chosen to make moshing easier to perform. Plain working class dress and short hair (with the exception of dreadlocks) are usually associated with hardcore punk. Mute colors and minimal adornment are usually common. Some elements of hardcore clothing are baggy jeans or work pants, athletic wear, cargo or military shorts, band T-shirts, plain T-shirts, and band hoodies. Some hardcore bands and fans wear clothing items that are similar to contemporary or old school hip hop fashion, such as baseball caps, athletic wear and shoes, and clothing by athletic brands such as Nike, Adidas, Pony, and Puma. Personal comfort and the ability to mosh are highly influential in this style (Jewelery, spikes, tight clothes, flashy hair and chains are highly uncommon and discouraged in hardcore fashion.)

Anarcho-Punk

Anarcho-punk fashion is a politicised adaptation of traditional punk fashion. This all black militaristic fashion was pioneered by Crass in the United Kingdom and by T.S.O.L. in the United States. Other common features are the refusal to wear leather[citation needed] and the heavy use of anarchist symbols and slogans. Some whom define themselves as Anarcho-Punks may opt to wear clothing similar to traditionalist punks or crust punks, but not often to the extreme of either subculture[citation needed]. Leather is often replaced with imitation leather or cloth in a similar design as leather products[citation needed].

Crust punk

Crust punk fashion is an extreme evolution of traditional punk fashion, and is heavily influenced by bands such as Doom, Amebix and Antisect. Typical crust punk fashion includes black or camouflage trousers or shorts covered in patches (heavy work pants are popular for their durability), torn band T-shirts or hoodies covered in patches, studded vests and jackets (commonly black denim), bullet belts, jewelry made from hemp and other natural/found objects, and sometimes bum flaps. Patches, even band patches, are often of a political nature. Patches are often screen printed at home by the individual crust punks. Clothing tends to be unwashed and unsanitary by conventional standards, and dreadlocks are popular. Crust punks sometimes sew articles of clothing with found or cheaply-bought materials. Baseball caps with patches sewn on are popular headgear. Pants are often held up with string or hemp.

Gothic rock/Deathrock and Horror punk

Deathrock and Horror punk fashion is similar to goth fashion. Black is the predominant color. Deathrock and horror punk incorporates a sexier image, incorporating fishnets, corsets and elaborate make-up for men and women. The use of occult and horror imagery is prevalent on T-shirts, buttons, patches and jewelery. The Misfits Fiend Skull is a common sight on articles of clothing. Other common adornments include band names painted on jackets or bleached into clothes, as well as buttons or patches indicating cities. The initials D and R (for Death Rock) may part of a crossbone logo, accompanied by other initials, such as C and A for California, N and Y for New York, or G and R for Germany. Hair may be in deathhawk style (a wider teased-out variant of the mohawk hairstyle), an angled bangs style, or in a devilock style. The traditional 80's Gothic Rock gave birth to the teased mohawk, unlike the Punk mohawk which was often fanned or spiked the Goth mohawk which is often referred to as the Death Hawk was slightly wider and teased, often crimped as well.

Skate punk

A skate punk is a skateboarder that listens to punk music. They normally wear small shirts and tight or slim-fit pants. Many wear clothing from companies such as Baker, Emerica, Fallen, and Vans. They also may wear cheap generic clothes, including army surplus clothing. A common element is a trucker flip-up hat with writing or logos of skate crews written on the bill. It is normal for skate punks to wear folded bandanas in their back pockets. Band T-shirts and skateboard company T-shirts or hoodies are common.

Pop punk

Pop punk fashion sometimes overlaps with skater punk fashion and emo fashion. Contemporary pop punk fans often wear items such as band T-shirts with, tie or scarf; blazers; Dickies pants, baggy pants, jeans or shorts; studded belts; Converse All-Stars or skateboarder shoes. Popular patterns include check and arms. Hair is usually long for women, and short and spiky for men — and is sometimes dyed black, platinum blonde, or natural hair colors with unnatural streaks.

Obscure trends
Some punks dress similarly to the droogs in the film A Clockwork Orange. This involves white boiler suits, bowler hats, black Dr. Martens or combat boots, suspenders and sometimes black eye makeup (on one eye only). This look has been displayed by bands such as The Adicts and Lower Class Brats, The Violators and Major Accident. An item associated with the Suicidals scene (influenced by the California band Suicidal Tendencies) is a baseball cap or trucker hat with the bill upturned, and with text written or painted on it. Suicidals (and some individuals in the later hardcore scene) also wear other styles associated with the Cholo gang member look. This involves bandanas on one's head, Converse sneakers and plaid flannel shirts. This style sometimes includes a shaven head.

Saturday, January 5, 2008

DiGi Chara---[Cosplay]


Di Gi Charat (デ・ジ・キャラット, De・Ji・Kyaratto) is a Japanese anime and manga series created by Koge-Donbo. The series follows a catgirl named Di Gi Charat (Dejiko for short) who was adopted as the mascot of Broccoli's retail chain store, Gamers. The original anime series and its original video animations (OVAs) are set in a Gamers store. There are twenty Gamers stores across Japan. Gamers opened a store in the United States in 2001, Anime Gamers, that is located in Los Angeles.
Several specials, OVAs, and movies have been adapted as prequels, sequels and alternate stories. Trading cards and video games are among the many forms of merchandise released for the series.

The original series, movie, and Leave it Piyoko is licensed in North America by Synch-Point. The manga series is licensed by several companies.

History

The characters of Di Gi Charat and her sidekick Gema first appeared in July 1998 in From Gamers, a promotional magazine for the Akihabara store, Gamers. In August of that year, the two appeared in Gema Gema, a four-panel comic-strip in From Gamers drawn by dōjin artist Koge-Donbo. Dejiko was later adopted as the mascot of Gamers. An animated Dejiko and her sidekick Gema first appeared on in a television advertisement for Gamers, set to the store's theme song, Welcome! by Hiroko Kato. Dejiko soon starred in her own animated series. Further characters gradually appeared in Gema Gema, and were later included in each of the anime series.

Official Website>>http://www.broccoli.co.jp/dejiko/

Wednesday, January 2, 2008

Sola----[Anime Series]

Sola is a Japanese work originally conceived by Naoki Hisaya (main writer of Kanon) with original character design by Naru Nanao (designer of D.C. ~Da Capo~).Sola is a mixed media project, first unveiled through the prologue of the manga featured in the Japanese manga magazine Dengeki Daioh on December 21, 2006, published by MediaWorks. The manga, which is illustrated by Chako Abeno, ended serialization on February 21, 2008. The manga has been licensed for distribution in North America by Broccoli Books with the first volume being released in June 2008. A short drama CD which also served as a prologue to the series was released at Comiket 71 on December 31, 2006, and another longer drama CD was later released in August 2007; a second drama CD will be released in May 2008. An anime version aired in Japan between April 7, 2007 and June 30, 2007; the anime contained thirteen episodes, and two additional DVD-exclusive episodes followed. The anime has been licensed by Bandai Visual for distribution in North America with the first DVD being released in June 2008. The title, Sola, comes from the feminine form of the Italian/Spanish word solo (lit. alone). The title is also homophonic to the Japanese word sora (空, sora lit. sky). At the end of 2007, Japanese anime fans voted Sola as the best anime of the year.



Sola's story revolves around Yorito Morimiya, the main protagonist, who is a young boy attending high school. He loves taking pictures of the sky at any time of day and any time of the year. One day, Yorito decides to take a picture of the sunrise overlooking the bay, but is deterred when he meets a strange girl trying to force a vending machine that stole her money to give her what she tried to buy — a can of tomato juice. Yorito helps her with forcing the machine while attempting to strike up conversation with her, despite it being four in the morning. Yorito tells her why he is here, but by the time he has forced the can out of the machine, the girl has mysteriously vanished.

The next day, Yorito goes to visit his older sister Aono in the hospital with his friend Mana and Mana's little sister Koyori. Despite it being Aono's birthday, Yorito leaves soon after to take a photograph of the setting sun near an old church on the roof of the hospital. That night, Yorito leaves to buy groceries when it begins to rain and stops on the way home to wait for the rain to stop; while waiting, he runs into the strange girl he met from yesterday again. They talk longer this time and Yorito finally learns her name — Matsuri Shihō. A few days later, Yorito goes looking for the girl in the old church and finds a man wielding a sword before Matsuri.
After a display of Matsuri's astounding powers, Yorito discovers that she is in fact a creature known as a "Calamity of the Night" (夜の災い, Yoru no Wazawai), who has lived for centuries.
She is being chased by Takeshi who intends to kill her, but Yorito tries to protect her by bringing her back to his home which is when Yorito asks her to stay with him for the time being.
A "Calamity of the Night", otherwise known as a Yaka is a supernatural being in the Sola story. Yaka have many supernatural powers, such as: a strong physical ability, fast regeneration, and never aging body, among other powers. A Yaka is hurt by direct exposure to sunlight, but the wound can be healed in time if the exposure is not excessive; a Yaka is otherwise immortal unless exposed to too much sunlight or has received fatal wounds. Matsuri explains that a Yaka is the embodiment of human agony and pain and that such creatures are meant to always be alone.

Anime

An anime adaptation of Sola was produced by the animation studio Nomad and directed by Tomoki Kobayashi. The series aired in Japan on the TV Aichi television network between April 7, 2007 and June 30, 2007, containing thirteen episodes, though aired on other networks at the same time with slightly different start and end dates.The series was released in five DVD compilation volumes in limited and regular editions,each containing three episodes. The first DVD volume was released on June 22, 2007, followed by the second on July 27, 2007, and the third on August 24, 2007. Two additional episodes were made available exclusively on DVD volumes four and five; the first was released on September 25, 2007, and the second was on October 26, 2007. A poll was held in Japan by the company Spider Networks asking what was the best anime that aired in 2007. After two million votes were cast, Sola placed number one.


The Japanese DVDs were also released by .Anime as a "special package edition" with different cover art released for the limited or regular edition volumes. The covers of the special package and limited edition volumes were illustrated by Naru Nanao, the original character designer for Sola; the covers of the regular edition volumes had illustrations of the anime-style art by Makoto Koga.Each of the regular edition DVDs contained an eight-page color booklet with illustrations from the series. The special package and limited edition DVDs also contained the color booklet, along with drama CDs containing tracks from the Internet radio show, and poster cards (the first volume also contained a poster card holder). The price of the special package and limited edition DVDs retailed for 8,190 yen (about US$72), and the regular edition DVDs retailed for 6,090 yen (about US$54); both prices are after tax.
Bandai Visual licensed the Sola anime for release in North America and plan to release the first DVD volume on June 10, 2008.